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Jean-Michel Sanejouand : ウィキペディア英語版 | Jean-Michel Sanejouand
Jean-Michel Sanejouand was born in Lyon, France, on July 18, 1934. His work has many facets, ranging from environments to monumental sculptures, from readymade-like objects to paintings of oneiric landscapes in which (usually) one of his sculptures stands. ==Biography〔http://www.sanejouand.com〕〔The International Who's Who, Europa publications.〕== Jean-Michel Sanejouand lived and worked in Paris between 1959 and 1993. Sanejouand now lives Vaulandry, in the Anjou countryside. His work is made of well-defined, complementary, sometimes overlaping, periods: the ("Charges-objets" ) (1963–67), in the footsteps of Marcel Duchamp's readymade as well as an ironic reaction against Minimal Art, the ("Organisations d'espaces" ) (1967–1972), where spaces in museums, towns, valleys, mountains are "organized", a few projects being within the realm of Land art (a volcano, a river...), many being more urban and on a smaller scale (a building site, a playground, a gallery...), the ("Calligraphies d'humeur" ) (1968–78), his first paintings, in the footsteps of Francis Picabia's monsters, the ("Tables d'orientation" ) (1974–77), his last series of "Organisations d'espaces", his first on an, imaginary, abstract world-scale, the ("Espaces-Peintures" ) (1978–86), where imaginary landscapes are "organized", the ("Peintures Noirs et Blanc" ) (1986–1992), in which landscape elements are more and more perturbed by space, the ("Sculptures" ) (1989-now on), made with a few stones, although rougher ones than those used in some "Charges-objets", the ("Peintures" ) (1992–96), where the number of landscape elements is reduced to a minimum, the ("Sculptures-Peintures" ) (1996–2001), which are painted "Sculptures", the ("Espaces-Critiques" ) (2002–08), where "Sculptures" are "organizing" the landscape in which they sit, the ("Espaces & Cie" ) (2009-now on), which are calligraphic landscapes...
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